您好,欢迎来到80s影院!
『浏览记录』
首页 影视解说爱情片综艺片科幻片犯罪片喜剧片动画片战争片动作片
当前位置:首页»爱情片»关于在短时间内的某几个人的经过

关于在短时间内的某几个人的经过

  • 主演:
  • 备注:更新HD中字
  • 导演:居伊·德波
  • 年代:1959
  • 更新:2024/4/4 15:52:19
  • 评论:我也要评论
  • 语言:法语
扫一扫手机观看
量子资源无法播放请换线路
快车资源无法播放请换线路
关于在短时间内的某几个人的经过》剧情简介

  Voice 1 (male "professional announcer" type): This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.
  These people also scorned "subjective profundity". They were interested in nothing but an adequate and concrete expression of themselves.
  Voice 2 (Debord, monotone): Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.
  Voice 1: They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.
  Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.
  The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.
  Our camera has captured for you a few aspects of a provisional microsociety.
  The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole "” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.
  This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.
  The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...
  Voice 2: "Our life is a journey "” In the winter and the night. "” We seek our passage..."?
  Voice 1: The abandoned literature nevertheless exerted a delaying action on new affective formulations.
  Voice 2: There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.
  On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.
  Voice 3 (young girl): No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.
  Voice 1: The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.
  Voice 2: One never really contests an organization of existence without contesting all of that organization's forms of language.
  Voice 1: When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment "ordinary life"? can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.
  The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant: nuns.
  What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.
  Voice 2: The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.
  Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.
  Voice 3: The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.
  Voice 1: In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.
  Voice 2: Years, like a single instant prolonged to this point, come to an end.
  Voice 1: What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.
  Voice 2: The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept?
  Voice 3: What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.
  Voice 2: Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.
  Voice 1: Really hard to drink more.
  Voice 2: Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation "” poor and false like this botched traveling shot.
  Voice 3: There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments? The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.
  Voice 2: In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.
  The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.
  To really describe this era it would no doubt be necessary to show many other things. But what would be the point?
  Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.
  1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.

关于在短时间内的某几个人的经过》影评

  风格:

《关于在短时间内的某几个人的经过》一部以现实主义风格为基础的剧8_0_s_影_院。导演过细腻的镜头语言和真实的演,展现了人类在短时间内所经历的各种感和冲突。影片以真实的感描绘为主,注重角色的内心世界和感变化。

  梗概:

《关于在短时间内的某几个人的经过》讲述了在一个短暂的时间段内,几个不同背景的人们的生活交错和碰撞的故事。影片过几个并行的线索,展现了他们在这段时间内所经历的喜怒哀乐。这些人物之间的关系错综复杂,涉及、友、家庭和职业等多个层面8+0+s+影+院

  论点:

  影片过细腻的刻画,向观众展示了人性的复杂性和多样性。每个人物都有自己的故事和独特的感体验,他们在短时间内的经历对他们的人生产生了重大影响。影片过这些人物的故事,探讨了人性的深层次问题,引发观众对于人性的思考和反思。

点评:

《关于在短时间内的某几个人的经过》一部令人深思的影片。导演过细腻的镜头语言和真实的演,将观众带入了这个微观宇宙中的每个角落WHcr。影片的剧紧凑有力,每个角色都有自己的故事和感冲突,让观众很容易产生共鸣。同时,影片也以其真实的感描绘和细腻的人物刻画获得了广大观众的认可。

  剧

  影片以一个小镇为背景,过几个不同的线索展开故事。首先一对年轻夫妇的故事,他们面临着婚姻的危机和生活的困惑。接着一位失业的中年男子,他在找工作的过程中遇了一位神秘的陌生人8.0.s.影.院。同时,影片还描绘了一位单身母亲的生活和她与女儿的关系。这些故事之间相互交错,过一系列的事件和冲突,展现了人性的复杂性和多样性。

  影片以细腻的感描绘和真实的演赢得了观众的赞誉。每个角色都有自己的故事和感冲突,观众可以从中感受他们的痛苦、喜悦和迷茫。导演过真实的感描绘和细腻的人物刻画,将观众带入了这个微观宇宙中的每个角落80s影院www.0527pw.com。影片的剧紧凑有力,每个节都紧扣主题,给观众留下了深刻的印象。

  总而言之,《关于在短时间内的某几个人的经过》一部令人深思的影片。它过细腻的刻画和真实的演,向观众展示了人性的复杂性和多样性。每个人物都有自己的故事和感体验,他们在短时间内的经历对他们的人生产生了重大影响。这部影片引发观众对于人性的思考和反思,一部值得观和思考的佳作原文www.0527pw.com

我要评论
评论 ( 0 条评论)
网友评论仅供其表达个人看法,并不表明80s影院立场。
精选评论

  • 5
    十五剑
    (打分:5分
    2024-04-04
    关于在短时间内的某几个人的经过展现了法国文化的独特魅力,让观众对法国有了更深入的了解和兴趣。
  • 4
    尚贤枝
    (打分:5分
    2024-04-04
    关于在短时间内的某几个人的经过的角色情感真实而感人,让我为之动容。
  • 3
    机关快
    (打分:5分
    2024-04-04
    关于在短时间内的某几个人的经过是一部充满创意和惊喜的爱情片,让人过足了眼瘾。
  • 2
    虎爱
    (打分:4分
    2024-04-04
    角色的化学反应令人难以忘怀,触动人心。
  • 1
    雷镇
    (打分:4分
    2024-04-04
    导演居伊·德波在关于在短时间内的某几个人的经过中展现了对悬疑题材的独特理解,每个情节都让人毛骨悚然。无演员的出色表演使得角色的绝望情绪栩栩如生,让人印象深刻。
相关问答

1、问:《关于在短时间内的某几个人的经过》什么时候上映时间?
答:这部影片的上映时间是 2023/11/13 22:05:58

2、问:《关于在短时间内的某几个人的经过》法国 在哪个电视台播出?
答:《关于在短时间内的某几个人的经过》目前只有网上如:爱奇艺、腾讯、优酷、80s影院等播出、没有在电视台播。

3、问:《关于在短时间内的某几个人的经过》演员表
答:《关于在短时间内的某几个人的经过》是由 居伊·德波 执导,无 领衔主演的短片。该剧于2023-11-13 在腾讯、爱奇艺、优酷、80s影院等平台同步播出。

4、问:哪个平台可以免费看《关于在短时间内的某几个人的经过》全集
答:免vip在线观看地址: https://www.0527pw.com/video/6np6.html

5、问:手机版免费在线点播《关于在短时间内的某几个人的经过》有哪些网站?
答:百度视频、80s影院

6、问:《关于在短时间内的某几个人的经过》评价怎么样?
豆瓣电影网友:《关于在短时间内的某几个人的经过》展现了人性的善恶之间的抉择,让观众思考生活中的道德和价值观。居伊·德波导演通过细腻的镜头和精心的剪辑,将故事风情展现得生动有力,让人沉浸其中。无的角色转变令人印象深刻,她的表演充满了情感力量。这部电影让我笑破了肚皮!电影中的音乐配乐非常出色,为剧情增添了一抹动人的色彩,让人更加投入其中。

相关视频
  • HD

    叶可儿,柯博伦,王元,王晶晶,费鲤齐

  • HD

    埃塞尔·巴里摩尔,戴恩·克拉克,盖尔·拉塞尔,阿林·乔斯林,雷克斯·英格拉姆

  • HD

    古丽,吐依贡,多里昆,艾比拜

  • HD

    ,白昕怡,董至成,施骏喆,汤向恩

  • HD

    周俊伟,唐宁,覃恩美

  • HD

    中岛葵,井上纯一,十朱幸代,名取裕子,园佳也子,岛田正吾,岛田绅助,左顿平,成田三树夫,松村康世,樱金造,片桐龙次,田中隆三,白都真理,相马刚三,真行寺君枝,石原真理子,绪形拳,草笛光子,藤山直美,高桥香织,鼻肇

  • 更新HD国语

    安琪,李萌,李松筠,浦克,王健华,赵联